I am drawn to exploring new parts of the world, delving into the history and culture of a region, immersing myself in the artistry and craft of a community, and connecting with the locals. Traveling with a group of like-minded adventurers amplifies my experiences and allows me to gain new perspectives beyond my own. Through Ibu’s Fringe Road, I’ve enjoyed incredible travel opportunities, from the blue-tiled cities of Uzbekistan to the high elevations of Peru, the labyrinthine medinas of Morocco, and, most recently, the vibrant river communities of Southeast Asia.
Eleven allies traveled to Thailand, Laos, and Cambodia to explore the textile traditions of indigenous communities. In Chiang Mai, we sat under a shaded canopy at Studio Naenna, where experts Patricia and Lamorna Cheesman offered a deep dive into the various natural dyes, weaving techniques, and designs found in the traditional clothing of different hill tribes including the Karen, Hmong, and Akha. During a delicious Thai lunch, Patricia presented a fashion show of her museum-quality pieces before we returned to their studio to make our own indigo tie-dyes. The hands-on session allowed us to express our own creativity while gaining a greater understanding of the required skills.
At a batik workshop in Laos, we decorated square textiles with wax using traditional tools and Hmong patterns (or in some cases, our own interpretations!). I struggled to get my left and right brain to collaborate while manipulating the tjanting—a pen-like implement dipped in hot wax to draw the design—and gained a deeper appreciation for the fine lines and spirals that decorate an accomplished artisan’s work. After each square was dipped into the bubbling indigo vat—the wax preserving white patterns against the rich blue—we admired each other’s masterpieces.
During our visit, our artisan partners at Ock Pop Tok celebrated their 25th anniversary with a festival showcasing the crafts of hill tribes. Against the background of the Mekong River, we observed spinning, dyeing, and weaving production and saw the pride in each artisan’s face as we admired her work.
On our last day in Cambodia, we sat cross-legged on the porch of a small community house with women hand-crafting rattan baskets at Manava. This intimate scene contrasted starkly with the monumental Angkor temples we had explored earlier in the day. The experience underscored the value of local resources and the importance of long-held traditions striving to remain relevant in a world dominated by fast fashion and disposable goods.
Travel offers an antidote to cynicism, a bridge to understanding, and a mirror to reflect one’s values and hopes for the world. Beyond traditional tourist highlights, Ibu’s Fringe Road Adventures foster connection across borders and provide an immersive approach to understanding the power in women’s hands. I hope to share one of these journeys with you someday!
